CHARACTER IDENTITY LOCK

Use the provided face reference as the ONLY identity reference for the human cook.

The cook is a real photorealistic human.

Preserve the reference identity consistently throughout the entire video:

exact facial identity

facial structure and proportions

eyes, nose, mouth, jawline

hairstyle and hairline

skin tone

age appearance

natural body proportions

Do not redesign, beautify, age, de-age, or reinterpret the person's identity.

Keep the cook's appearance and clothing visually consistent throughout the shot.

CAMERA — THIRD PERSON OBSERVER

Strict third-person cinematic perspective.

The viewer is watching the cook from outside the character's body.

Camera positioned approximately 2–3 meters in front of the cook, slightly to one side, around chest height, with a moderate cinematic lens.

Frame the scene as a natural cooking observation shot:

cook's face clearly visible

upper body visible

wok clearly visible in foreground

active hand clearly visible

Fu Shu clearly visible beside the cook

Use a subtle cinematic handheld camera with a very slow push-in and slight lateral movement.

The camera should feel like a person naturally observing someone cooking.

No first-person POV.

No camera attached to the cook.

No overhead shot.

No rapid camera movement.

No cuts.

No transitions.

Maintain one continuous shot for the entire 10 seconds.

ENVIRONMENT

Photorealistic home kitchen.

White tiled wall, power outlet, cooking oil and soy sauce near the stove, sink in the rear-right, natural daylight entering from a side window.

A black wok sits on the stove in front of the cook.

Inside the wok is realistic Indonesian-style nasi goreng with fried rice grains, egg, chicken pieces, vegetables and green onion.

Visible steam, sizzling oil and believable food movement.

HUMAN COOK

The cook naturally stands behind the stove and prepares the nasi goreng.

The cook's face remains visible throughout the majority of the shot.

Natural facial expressions and subtle reactions.

The cook should feel like a real person being filmed while casually cooking.

FU SHU

Fu Shu is a completely flat 2D chibi anime sticker character sitting on a small wooden stool beside the wok.

He has an oversized round head, tiny body, prominent belly, bald top with short black hair on the sides, small black dot eyes, bean-shaped nose, pink cheeks, thick handlebar mustache and mischievous grin.

White sleeveless undershirt, mustard apron, teal knee shorts and brown slippers.

Fu Shu must remain completely flat:

2D paper sticker

dark outline

white sticker border

subtle paper/crayon grain

No 3D volume.

No realistic skin.

No plastic.

No clay.

No realistic CGI character.

His body moves like a lightweight paper sticker.

ACTION — 0–3 SECONDS

The camera observes the cook from a natural third-person angle.

The cook continuously stir-fries the nasi goreng using one wooden-handled metal spatula in the RIGHT HAND.

The right hand enters the wok area naturally from the cook's side.

Fu Shu sits beside the wok and mischievously pours salt into the nasi goreng.

The cook notices Fu Shu and gives a subtle amused reaction while continuing to stir-fry.

The LEFT HUMAN HAND remains completely outside the visible frame.

Camera slowly pushes closer.

3–3.2 SECONDS

The cook stops stirring.

The right hand places the same spatula flat inside the wok.

The right hand moves away and exits the cooking area.

The cook looks toward Fu Shu.

Camera remains stable and continues the subtle push-in.

3.2–3.8 SECONDS

The LEFT HUMAN HAND ONLY enters the frame.

It takes the same glass salt jar directly from Fu Shu.

The hand immediately exits.